Report Rio+20 and culture – December 2012

Rio+20 and culture. Advocating for Culture as a Pillar of Sustainability is a summary of the strategy that the Committee on culture of United Cities and Local Governments developed in 2010-2012 to influence the process towards the UN Conference on Sustainable Development (Rio+20) which took place in Rio de Janeiro on 20-22 June 2012.

NETWORKS: The Evolving Aspects of Culture in the 21st Century - 2011

This Culturelink’s publication marks twenty years of its continuous networking and research activities in cultural development, cultural policies, intercultural communication and international cultural cooperation. Researchers from all continents investigate the role and relevance that cultural networks have in cultural development and communication, and new perspectives of cultural networking in the 21st century. Special consideration is given to the position of cultural networks within cultural policy structures and to the effective usage of innovative information and communication technologies.

The Circulation of Street Arts and Circus Artworks in Europe - February 2012

This publication is a follow-up of the previous study conducted in 2006 on the circulation of circus and street artworks in Europe. It aims to work out the impacts of the global economic crisis on mobility in the sector.

Report on Building a strong framework for artist’s mobility - June 2012

This final report is the outcome of the work of the Open Method of Coordination Working Group of European Union Member States Experts on Mobility Support Programmes, a group of twenty-five experts representing an equal number of EU Member States that expressed an interest in participating. The Working Group was launched in early 2011 under the Council Work Plan for Culture 2011-2014 which implements the European Agenda for Culture

ON-AiR

ON-AiR: Reflecting on the mobility of artists in Europe
European tool for artists; mobility workshops and training programs on artist-in-residence (AiR) opportunities.
International AiR programs and other mobility schemes are an integral part of art practice today. AiR centres function as alternative ‘academies’, catalysing artistic intelligence and dialogue. Hosts, guests, peers, and the public explore, build, and share knowledge and experience, that cross borders and cultures. Through AiR programs artistic resources are accumulated and distributed.

International Co-Production Manual

The journey wich is full of surprise
As these backstage snippets of conversation, advice and cathartic confessions from interviews with experienced international co-producers in Europe and Asia demonstrate, it is high time for this publication.